Project Description

Cora Cohen

CORA COHEN

An obvious heir to the Action Painters and Abstract Expressionists, Cohen employs a frenetic use of paint and materials to achieve canvases that are strangely balanced and calming. The drama of Cohen’s painting centers on her struggle for clarity. She admits that she often finds herself “tempering a drama.” Her abstract canvases are battlefields where the artist acts as mediator in conflicts between form and color, between gesture and structure. She never lets one entity dominate the picture. In each canvas, a unique and complex struggle takes place, but Cohen’s painterly decisions are consistent, and ultimately correct, even when her solution is irresolution.

EDUCATION
 
Bennington College, Vermont, B. A., M. A. (Painting and Drawing) 1972
 
AWARDS INCLUDE
 
2006
Adolph and Esther Gottlieb Foundation Award
2000
Saltzman Foundation Award
1999
Kohler Fund Award, The University of North Carolina
1990
Adolph and Esther Gottlieb Foundation Award
1989
New York Foundation for the Arts, Painting Fellowship
1987
National Endowment for the Arts, Painting Fellowship
1982
Fellow, Yaddo, Saratoga Springs, New York
1969
AAAUniversity of Pennsylvania, Fellowship in Fine Arts-PaintingAAAAAAAAAAAA
 
SOLO EXHIBITIONS INCLUDE
 
2008
Michael Steinberg Fine Art, New York, NY
2007
Abaton Garage, Jersey City, NJ
Markus Winter Gallery, Berlin, Germany
2005
Bentley Gallery, Scottsdale, AZ
Abaton Garage, Jersey City, NJ
2004
Jason McCoy Inc., New York, NY
2003
Stefanie Hering, Berlin
2002
Bentley Gallery, Scottsdale
2001
McCoy Chelsea, NY
2000
Stefanie Hering, Berlin
1999
Belvedere Sraße 149a, Köln
Bentley Gallery, Scottsdale, AZ
1998
Hering Raum Bonn, Bonn
1997
Rena Bransten Gallery, San Francisco, CA
Jason McCoy, Inc., NY
Hering Raum Bonn, Bonn, Germany
1996
Joslyn Art Museum, Omaha, NE
Sarah Moody Gallery of Art, Tuscaloosa, AL
1994
Jason McCoy Inc., NY
David Beitzel Gallery, NY
1993
New Arts Program, Kutztown, PA
Jason McCoy Inc., NY
1992
A/C Project Room, NY
1990
Holly Solomon Gallery, NY
1988
Wolff Gallery, NY
 
GROUP EXHIBITIONS INCLUDE
 
2007
No Words And Words On Paper, Stalke Kirke Sonnerup, Denmark,
drawings
2003
im + provisos: Compositions in Jazz, curated by Alison Nichols Ferring and
Eva Lundsager, Sheldon Art Galleries, St. Louis, Missouri, drawings
Painting, Painting, N3 Project Space, Williamsburg, Brooklyn, NY
2002
Back to the Future, Cynthia Broan Gallery, NY, curated by
Michael St. John and Jason Duval
Cepa Gallery, Buffalo
Yaddo Variations, an invitational exhibition of small works to support Yaddo
2001
The Five and Dime Series, the Record, the Death, the
Surprise, Jan Van der Donk, NY
2000
Celebration of Yaddo, The Williamsburg Art Center, Williamsburg, NY
The Tsagaris/Hilberry Collection: A Sustaining Passion,
The University of Arizona, Museum of Art, Tucson, AZ
Williamsburg Art and Historical Center, Brooklyn, NY
The University of Arizona Museum of Art, Tucson, AZ
CEPA Benefit Exhibition, CEPA Gallery, Buffalo, NY
1999
Oppenhoff and Rädler, Leipzig
Galerie Mariann Ahnlund, Stockholm
Jason McCoy Gallery, NY
Times Square Gallery, Hunter College, NY
1998
CEPA Gallery, Buffalo, NY
David McKee Gallery, NY
1997
Abstract Painting, Carrie Hadad Gallery, Hudson
Lillith, The Workspace at Dolgenos, Newman & Cronin, NY
Pool, Rena Bransten Gallery, San Francisco, CA
After the Fall: Aspects of Abstract Painting Since 1970,
Newhouse Center for Contemporary Art Snug Harbor Cultural
Center, Staten Island
Pat Hearn Gallery, NY
1996
Accrochage, Hering Raum Bonn, Bonn, Germany
Import/Export, Köln Art Fair, Köln, Germany
Galerie Brigette Schenk, Köln, Germany
Mitchell Algus Gallery, NY
1995
Angel Art, Benefit Auction, Los Angeles, CA
Salon des Tree, Central Park, NY
Smells like Vinyl, Roger Merians Gallery, NY
In Search of the Pleasure Principle, CEPA Gallery, Buffalo
The Smart Fair, A/C Project Room, Stockholm
White Columns, NY
New York University Faculty Show, Apex Art, NY
1994
Freedom-Discipline-Abstraction, Trans Hudson Gallery, Jersey City
Heterogeneity, Abstraction and Virtual Space, Out of the
Blue Gallery, Edinburgh, Scotland
Mirage, Penine Hart Gallery, NY
Abstract Paintings, Klein Art Works, Chicago, IL
Small Format Abstract Paintings, Bill Maynes Contemporary Art, NY
Jason McCoy Inc., NY
Mathew Marks Gallery, NY
1993
Libidinal Painting, White Columns, NY
Leo Castelli Gallery, NY
The Painting Center, NY
Jason McCoy Inc., NY
1992
Schmidt Contemporary Art, St Louis, MO
Contemporary Surfaces, Pamela Auchincloss Gallery, NY
An Esamplastic Shift, A/C Project Room, NY
Painting Self-Evident, Piccolo Spoleto, Charleston
Painting Invitational, Sandra Gering Gallery, NY
Multiple Grounds, Sytsema Galleries, Baarn, Holland
The Fetish of Knowledge, A/C Project Room, NY
Shades of Difference, Sandra Gering Gallery, NY
 
GROUP EXHIBITIONS INCLUDE
 
MacAdam, Barbara: Art News “The New Abstraction” April 2007, Volume 106, Number 4
Buhmann, Stefanie: “Experience versus Experimentation,” catalogue essay
to accompany the solo exhibition of paintings and drawings at Galerie
Markus Winter, Berlin, February 10 – March 31, 2007
The Art in Embassies Program, United States Embassy Sarajevo, 2006 catalogue, paintings
Bortz, Lauri; “Far Less Tangible States of Being, Cohen’s altered x rays, drawings and photographs,” August 2006
Maine, Stephen: Art in America, February 2005
Buhmann, Stefanie: The Brooklyn Rail, “Reviews” November 2004
Schwabsky, Barry: “One Art,” essay to accompany 2004 exhibition
Rubenstein, Raphael: Art in America, “Not a Mirage” December 2002, Number 12
Cohen, Cora: “The Record, the Death, the Surprise,” Abaton Press,
Newton, New Jersey, August 1999 photographs
Landi, Ann: Art News “New York Reviews” Summer 1999, Volume 98/ Number 7
Cotter, Holland: The New York Times “Reviews” April 9, 1999
Ratcliff, Carter and Sobel, Kim: “Immediacies of the Hand: Recent
Abstract Painting in New York” March 1999, catalogue accompanying the exhibition
Heartney, Eleanor: Art in America, June, 1998
Schmerler, Sarah: Art News “New York Reviews” February 1998, Volume 97/ Number 2
Perl, Jed: The New Republic “Transformations” December 1, 1997
Brackman, Yvette: Time Out New York October 23-30, 1997 Issue 109
Arning, Bill: Art in America, November 1997 “John Zinsser at Pamela Auchinclos”
_______: The New Yorker October 13, 1997
Ebony, David: http://www.artnet.com/reviews “David Ebony’s New York Top Ten” September 23, 1997
_______: The New Yorker September 22, 1997
Johnson, Ken: The New York Times September 19, 1997
_______: Time Out New York “Galleries: 57th Street” September 11-18, 1997 Issue 103
Arning, Bill: Time Out New York “Lilith,” September 11-18, 1997 Issue 103
Mendelsohn, John: The Jewish Week “The Abstract Lilith,” August 29, 1997
Schwabsky, Barry: Review “Five Shows I Wish I’d Had a Chance to Write About, 1996-7,” July/August 1997
Cosar, Sascha: Bonner Rundschau, “Urbanes Lebensgefühl in Amerika,” May 22, 1997
_______: Bonner Illustrierte , May 1997
Seidel, Martin: Bonner Generalanzeiger, “Spaß mit Öl und Marmorstaub,” May 6, 1997
_______: Bonner Generalanzeiger “Tips und Termine,” April 18, 1997
_______: Kölneiz Illustrierte, “Nene Ausslellungen, Import/Export,” November 1996
Stich, Sidra: Paintings and Altered X rays 1983 – 1996: catalogue
accompanying the exhibition, includes a conversation with Barry
Schwabsky, The University of Alabama, Sarah Moody Gallery of Art, July 1996
Björkman, Anders: Västerbottens – Kuriren, “The Earth Reddens and Bursts,” Umeå, Sweden, April 26, 1996
Bell, J. Bowyer: Review “Reviews and Previews of Current Exhibitions in New York,” April 1996, Volume 1, Number 1
Hirsch, Robert: Exploring Color Photography, Brown & Benchmark Publishers, Madison, Wisconsin, 1997, figure 22.5
Nadelman, Cynthia: Drawing “Museum Acquisitions,” November/December 1994, Vol. XVI, No. 4
Stevens, Mark: New York Magazine “Bravura Brushwork,” November 28, 1994, Vol. 27, No. 47
Nochlin, Linda: Cora Cohen: Recent Paintings: catalogue of the exhibition, 1994