Mike Jacobs - The Cyclical Stops In The Disenchantment Sectors Of Terrestrial Life,
Respect The Ride
Mike Jacobs - Look Up
Mike Jacobs - Overhead Confusion Script Seeding The Sky
Mike Jacobs - Tessellating The Tesseract
Mike Jacobs - 45, 45, 90 Right On 7th And Van Buren
Mike Jacobs - Journey From The Death Of A Friend
Mike Jacobs - The Duration Between The Smallest Increment And The Greatest Expanse
Mike Jacobs - I Need To See More Than Three Dimensions
Mike Jacobs - Traveling Into The Valley Of The Sun
Mike Jacobs - Escaping Infinite Regress In The Absence Of Absolutes
Mike Jacobs deploys a post-digital, multimedia image-making processes, combining deconstructed photographic imagery and painted geometry to investigate the technical systems, visual culture, and scientific paradigms of optics that influence normative strategies for activating perception, exploring illusion, and depicting space throughout the history of art.
Mike Jacobs was in our Digital Process show September 20th – November 9th, 2019.
A two-person show featuring new works by Mike Jacobs and Travis Rice. These two artists highlighted the shift occurring in art making today through the use of cutting-edge technology. They explored our post-digital world where instead of exclusively working with paint and canvas they integrate bytes and pixels. Both artists use digital tools to create exquisitely crafted works of art that cut through the visual noise of our everyday.
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Mike Jacobs received his BFA from the University of Cincinnati in 2000. He lived and worked in Cincinnati, Ohio as an artist and Industrial Design Model Technician until 2016. Jacobs later earned his MFA from the Herberger Institute for Design and the Arts at Arizona State University in 2019. While at ASU Mike was the recipient of grants, awards, and scholarships from the Martin Wong Foundation, Arizona Artists Guild, the Gayle J. Novak & Robert D. Cocke Award in Painting, and the Gerry Grout Visual Arts Scholarship. He has exhibited his work nationally at the FotoFocus Biennial, Cincinnati, OH, the Mesa Art Center, Mesa, AZ, Untitled Art Projects gallery, Los Angeles, CA, the Baton Rouge Gallery Center for Contemporary Art, Baton Rouge, LA, and internationally at the ARTE Galería, Quito, Ecuador. Jacobs is currently based in Phoenix, Arizona.
In his practice, Mike Jacobs deploys a post-digital, multimedia image-making processes, combining deconstructed photographic imagery and painted geometry to investigate the technical systems, visual culture, and scientific paradigms of optics that influence normative strategies for activating perception, exploring illusion, and depicting space throughout the history of art.
He entered into this discourse by considering the increasing speeds of information in our collective culture that have resulted in a fragmentation of our analog thought process. To compensate, we have an exchange of linear streams of understanding information for the limitless nonlinear web of the virtual network. We experience this all the time by looking at the internet and searching from one hyperlink to the next, starting as a specific search and ending with as many random associations as possible. We continually interface with the operations intrinsic to our smartphones, computers, including the use of programs like photoshop and illustrator. Digital tools connect us to the systems of the virtual that benefit us in creative processes, image capture, accessing knowledge, and supplementing memory.
The implication of this interaction raises many questions and it’s easy to run off with a dystopian outlook. We have been socialized to be afraid of a future laden with artificial intelligence. The reality is that society is already in the virtual/digital paradigm we were taught to fear. Inspired by these ideas, I wanted to reexamine what it means to embrace the interaction of the digital process and the virtual space to develop form and imagery as a counter-intuitive approach to understanding how we might connect and structure our own analog intellect to commune with the external processing of digital systems.
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