Daniel Brice was in our show In the Absence of Color, May 17th – July 13th, 2019.

In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in sun-drenched Southern California, he translates the multi-hued blues of the bright Pacific Ocean and the lush reds, yellows, oranges, and greens of the local flora into the richly colored lines and rectangles that dominate his compositions. The surfaces of his paintings range from almost transparent to thickly worked and often stretch across multiple panels, lending an almost sculptural quality to his works. Brice works in layers, overlapping variously sized rectangular planes of color to create a constantly shifting visual field, a minimal rectilinear language implying vast spatial expanses.

Daniel Brice
Grid Drawing (small 4), 2015
charcoal on paper
29.75 x 22.5″

Daniel Brice
OX 77, 2017
oil and acrylic on linen over panel
24 x 34 x 1.75″

Daniel Brice
OX 72, 2017
oil and acrylic on linen, over panel
20 x 72 x 1.75″

Works On Paper

November 16, 2018 – January 12, 2019

This show featured 9 artists and their works on paper. From oil to ink, these thoughtful artworks celebrate a variety of styles, culminating in a diverse and affecting exhibition.

To see more available works from the individual artists in the exhibition please click on their name below:
William Anastasi | Fernando Diaz | Jun Kaneko | Michael Marlowe | Udo Nöger | Mark Pomilio | Travis Rice | George Thiewes

Daniel Brice
Untitled F, 2012
oil on paper
21 x 19 x 1.75″ framed

Click button below to view Bentley Gallery’s portfolio of works by Daniel Brice

Daniel Brice Portfolio

Expand to view Daniel Brice’s:

In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in sun-drenched Southern California, he translates the multi-hued blues of the bright Pacific Ocean and the lush reds, yellows, oranges, and greens of the local flora into the richly colored lines and rectangles that dominate his compositions. The surfaces of his paintings range from almost transparent to thickly worked and often stretch across multiple panels, lending an almost sculptural quality to his works. Brice works in layers, overlapping variously sized rectangular planes of color to create a constantly shifting visual field, a minimal rectilinear language implying vast spatial expanses.

EDUCATION
California State University, Long Beach, CA

AWARDS & HONORS
2011 “Artist-In-Residence” Tamarind Institute, University of New Mexico, Albuquerque, NM
2009 “Artist-In-Residence” Tamarind Institute, University of New Mexico, Albuquerque, NM
2006 “Artist-In-Residence” Tamarind Institute, University of New Mexico, Albuquerque, NM
2004 “Artist-In-Residence” Tamarind Institute, University of New Mexico, Albuquerque, NM

SELECTED EXHIBITIONS
2012 Bentley Gallery, Scottsdale, AZ
2011 Western Project, Los Angeles, CA
2011 Chiaroscuro Gallery, Santa Fe, NM
2010 Tamarind 50th Anniversary, University of New Mexico Art Museum, Albuquerque, New Mexico
2005 Out of Line, Riverside Museum of Art, Riverside, CA
2001 18th Annual Juried Exhibition, Berkeley Art Center, Berkeley, CA (Rupert Jenkins, juror)
1999 Art Auction 8, Long Beach Museum of Art, Long Beach, CA
1998 Transcendence, An Exhibition Celebrating the Works of Irish and Irish American Artists,” Mount San Antonio College, Walnut, CA,

SELECTED COMMISSIONS
2001 Metro Redline Windbreak Project, Metropolitan Transit Authority, Los Angeles, CA

BIBLIOGRAPHY
2011 Knight, Christopher, “Daniel Brice at Western Project”, Los Angeles Times, April 14
Tobin, Richard, ‘Danile Brice: Paintings”, THE magazine, August, Santa Fe
2002 Goodman, Wendy, “Stripe It Rich,” New York Magazine, April 8, p. 3, 45, 47
2000 Baker, Kenneth, “Brice Show to be Gallery’s Last,” San Francisco Chronicle, April 22
1999 Frank, Peter, “Daniel Brice and John Garrett,” L.A. Weekly, November 22
1997 Frank, Peter, “Per Kirkeby, Avery Falkner, Daniel Brice, Westside Good ties,” L.A. Weekly, February 13
1996 Frank, Peter, “Art Picks of the Week,” L.A. Weekly, May
1995 Baker, Kenneth, “Drawings at Weiss Gallery,” San Francisco Chronicle, April 24, p. E-1
1991 Frank, Peter, “Gallery Pick of the Week,” L.A. Weekly, November

SELECTED PUBLIC/PRIVATE COLLECTIONS
Ohio Wesleyan University Museum, OH
Allentown Museum, PA
Park Hyatt Hotel, San Francisco, CA
Peninsula Hotel, New York, NY
Sakura Finetek, Los Angeles, CA
California Endowment, Woodland Hills, CA
Joe & Dr. Kim Greiner, Newport Beach, CA
Dominic Suprenant, Santa Monica, CA
John & Dorothy Ferguson, Santa Ana, CA
Rosie & Brian Panish, Santa Monica, CA
Deborah & Larry Poteet, Del Mar, CA
Carol Liu & Michael Peevey, La Cañada Flintridge, CA
Philip & Marjorie Freeman, Laguna Beach, CA
Barbara Broccoli, Santa Monica, CA
Timothy Dalton, Los Angeles, CA
Robert & Maureen Carlson, Pasadena, CA
Ameritania Hotel, New York, NY
Jeff Goodman/Steven Charlton, New York, NY
Fritz Geiser, Pasadena, CA
Smith College, Northampton, MA
Bob Autrey, Long Beach, CA
George & Gretel Stephens, Pasadena, CA
Dr. Gene Rogolsky, Los Angeles, CA
Ralph Kaywin/Lisa Buchberg, Berkeley, CA
Dr. Amos Mahsua, Shaker Heights, OH
Dr. & Mrs. Garland Sinow, Long Beach, CA
Ruth Halperin, Atherton, CA
Chang Kim, Vancouver, BC
Bob Aulrey, Long Beach, CA
Bruce Menin, New York, NY

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